Throwing a number of genres right into a single stew can usually yield a bitter style, however no person determined to inform author, director, and producer Park Hoon-jung of the dangers when he determined to mix parts of motion, thriller, sci-fi, fantasy, and horror to concoct The Witch: Half 1. The Subversion.
It’s in all probability a superb factor that they didn’t, to be truthful, as a result of the ensuing dish was nothing wanting scrumptious. Utterly unhinged in the very best manner, the moment Korean cult basic would go on to safe respective Rotten Tomatoes scores of 89 and 86 p.c from critics and audiences, recoup its funds virtually 5 instances over on the field workplace, earlier than finally profitable a smattering of awards for its deranged brilliance.
The story focuses on Kim Da-mi’s Ja-yoon, a highschool scholar who suffered trauma throughout her childhood that left her with reminiscence points. Throughout her quest to uncover the reality, although, she finally ends up being drawn right into a world of crime and way more apart from, which culminates within the awakening of some darkish secrets and techniques that sees the blood movement and the our bodies pile up.
The Witch: Half 1 is likely to be outlandish, one-of-a-kind, and completely insane to an infinite diploma, nevertheless it pales compared to its much more unhinged successor Half 2: The Different One. That’s meant as the very best of compliments, as a result of watching them back-to-back makes for a double invoice not like some other.
Sadly, it’s solely the opener that’s managed to sink its claws into a brand new crowd on streaming, however the truth FlixPatrol has named Half 1 as a High 10 hit on Max in 20 international locations world wide does no less than point out there’s a ravenous viewership able to see how the story continues, and if there’s any justice on the planet a threequel will find yourself materializing sooner reasonably than later.